The thing that I clearly understood from listening to most American, British, and Western cultural pop music mainly BillIe Eilish every day is that Japanese people do not have a sense of rhythm, but they do not beat emotional sensibilities from morality and ethics with a packed education of knowledge emphasis (Christian ethics in the West is soaked to the pith of the bone) Because they have not been able to break away from easy expelling only leaning on to-Asia consciousness and unconscious neglecting toward European consciousness.
Lo Vas A Olividar, bad guy, etc. use Arabic scales in important cadenza parts.This is one technique that many professionals have, from Western classical to pop to rock.Because their religious sources are in the Middle East.Their music has an element of searching for roots.It was so long ago.

The motto of Japanese education is that it is only true to the vertical and social instructions, and it remains to this day.Everyone is not thinking with their own brains.But Europe and the United States and many civilized countries do not.This was because Japan had not been able to go that far since the postwar period of education reform (it was not able to resist the start of the reformation with guidance by United States before unconditional surrender).But the future should not be so.

The rhythm in music can not be learned if the person who sings and plays himself enjoys it from the mind and body.However, in Japanese music education, we teach from theory without having to enjoy the elements.In the United Kingdom, the United States, France, Germany, and other countries, everyone from childhood taught social ethics and a sense of responsibility through religion in church choirs and the like.Most of the people who are active now go through it and enter the path of music.Not in Japan.

Most geniuses, such as Paul McCartney, Robert Lamm of Chicago, Billy Joel, and Elton John, have honed their skills first through church relationships and then into professional careers.Their foundation is social ethics.There is no rite of passage in Japanese music.There are no Billie Eilish or Benny talent from Japan at this time.

Old Japanese traditional music has a proper rhythm.However, after the transfer of classical education in Europe (after the Meiji Restoration), it was certainly adopted in Europe and the United States in terms of musical scale and harmony.However, the rhythm of the Japanese was essentially different through mainland China, so the rhythm alone could not adapt to the constitution of Europe and the United States.In the end, however, traditional Japanese education was out of the way.

AI’s Asadora(Japanese national TV station NHK’s morning regulatory drama) The theme song uses European chords for the scale, but the sense of rhythm is completely Oiwake.It is her half-Japanese nature that makes European humanity bounce away (Japanese mixed race is doomed to do so).The reason why the rhythm does not fit into the frame of Europe and the United States is because the Meiji Restoration did not follow the Japanese music tradition.We should rethink what rhythm is.

In Nara Shosoin, biwa and other(biwa imported from Persia (present-day Iran)) after the Nara period are displayed.Even now, it is understood that music from Iran and others is the source of all traditional Japanese music, including Japanese gagaku.If you reconsider the rhythm while exploring the originals of Japanese music, you can also understand the meaning of Billie Eilish’s extensive use of Arab scales.First of all, what is yourself?(to Japanese)

Consider Bach’s counterpoint.Using the counterpoint, it is natural to show that the vertical stratification is important for the flow of the rhythm (horizontal).This has been passed down from Beethoven to Stravinsky, and of course the Beatles and Queen are heavily used.All of their masterpieces are so.Therefore, the meaning of rhythm comes to mind.

MISHA’s songs are fascinating, but the melodic flow (the horizontal connection) is perfect, but it is to wedge the flow (the rhythm is to cut vertically.The image of wearing a carrot with a kitchen knife) is thin.This is essential for Western music, but not in Japan.In the Beatles movie Let It Be, there is a scene in which they sing while knocking on a classic Rock’roll number,that.

Let’s watch a video of the conductor waving a tact.For example, when the melody becomes flowing in a round dance, they make their lips tremble and convey the consciousness that is carved vertically against the horizontal flow to the entire conductor.This is a great jazz pianist too.Not just drummers and percussionists.The conductor makes the horizontal flow aware of the stratification of the wedge of the shield.

Let’s think about Japanese music.The scales and melodies of Oiwake, gagaku, and Tsugaru shamisen are different, but the basic rhythms are also different.Gagaku was transplanted from the Middle East through South Asia until the Nara period, and the world of Tsugaru shamisen should be related to all customs including the Ainu from ancient times.Oiwake is probably the same, but it has spread more widely.

From the perspective of human history, poetry, music, dance, and mathematics are all the same.In other words, it is the work of the unit that engraves everything.This is awareness of the heartbeat.Animals in general do not have this consciousness (they are not aware of death.They just feel that way before they die, and they can’t even think of death when they’re healthy.)The unit is derived from the imitation of the beating of the heart.

In order to evolve modern linguistics, we must at least extend the problem of the units of numbers that lie in the foundations of logic to languages.Dedekind cutting also rethinking the consciousness of mutual relevance of the three major logics✳ both requires now subject. ✳( Identical law, contradiction law, and law of excluded middle) from the basic lexical establishment factors.It is because language is a kind of disconnection (this is also stated by Takeshi Yoro).

EXTRA TWEETS for to some extent relevant with Upper All tweets

The biggest drawback of many biologists is the lack of mathematical and logical knowledge.This is because they spend time to acquire natural knowledge such as collecting a lot, and can not afford to learn them.However, in the biological world, taxonomy and phylogeny exist in a bifurcated manner.It is evidence that the entire academic community is disconnected and operated in a logical system.

Naturalists are familiar with the logic of the Poisson distribution, etc., because classification is important.They focus on statistics.This is based on the nature of biology in general, but the way it is viewed is close to that of an economist, but it must be different from that of a physicist.Physicists tend to focus on basic mathematics, but for many biologists it is sparse (limited to those for chemical knowledge).

Simply put, the Darwinian theory of natural selection is God. They biologists are atheists.But physicists are not (see Kobayashi-Maskawa theory) .But Darwin himself believed in God, apart from theory (Newton, the creator of Newtonian mechanics, Frances Collins as molecule biologist, the analytical philosopher Damett, etc.).）

Paleontology is English (although Latin is etymologically the same).Ontology is ontology.In Latin, Linnaeus’ academic term, it is evidence that it already deals with the order of the whole society ontologically.Science, art, literature, etc. are established in a multilayered manner.First of all, professionals need to understand that (theology is at its peak in Europe)
(Irregularly continued)

Nov.25.,26th. 2021