Billie Eilish’s song tunes with her and her older brother Finneas are colored with so strong detachment. And its thing gives all listeners to each one, so individually, and its nature associates our mind that Rock age’s spirit was gone far away, and replaced with it, her tunes’ message has no trust even to democracy, rather anytime she seems to claim all these things as just illusion to any listener.

Exactly, her sung tunes songs' tone are all sunken, but she does never send so sad and melanchoric mind so directly, more her sending mental and emotional mind must be dry and cool or very indifferently blunt to any listener.

Not general sadness nor general loneliness, but her all tunes' description must be being's sadness, melancholy, otherwise these fragile natures and more metaphysically significant detachment message in not formed nor mentioned directly, that character is proved by her and Finneas's composition melody and rhythm.

More deeply philosophic nature is drifting to any song.

Though, her singing lyrics tone and expressing mode is rather calmed and cool objectively and nevertheless, that observing subjectivity is hidden so smartly.
Anyway, her lyrical and tune compositional sensitivity consists in personally different dimensioned world specifically to general affirmation nor negation. Simply it must be detached so much, and that message is not so forcible just mumbling and whistling or so.

In other words, her songs' tone is never like criticism, less yet applauding message to anything.
That taste is certainly lonely, but simultaneously very materialized and plainly rarely being tangibly expressing.

Her the most obvious expressing and expressed feature as lyrical words showing world is being's poorness, emptiness, and saddened and sadding ambivalence. And these gathered totalized modus ponens is unexpectedly so strong and never fragile, but each owning human's presence is blank and not so strong.
At the matter of fact, her described our mentally, pcychologically and daily spiritual all mind's aspect are apathetically stronger, and never fragile, relatively to each one's human-self is fragile.
And that taste must be contemprary society's kind of absurdity and strangely kinky nature, her whispering is voiced with the claiming tacitly behind the content of lyrics and heard so to us, at least to me, heard so.

These entirely totalized modus ponens is detachment.

This time's "Happy Than Ever" must have more clearly that detached intentional expression.

Detached blunt not affirming nor nagativing could mean that whispering object is perfectly each individual, she and Finneas were enough known at just COVID assaulting so tough each segeregated circumstance whole over the world, that necessity was clearly conscious by two creators.
And her songs' lyrics are never family bond's taste, even if she had collaboration to her older brother, that showing world's nature is never family lovable tasty, obviously. That taste intensity was increasing at this time's second album than first one. "Bad guy" had some needing sympathy to her same generation ones specifically gals but the described object's that bad guy, but this time's second one must delete these sympathized emotions so plainly.

Let’s check in her tune’s lyrics and playing expression with singing and instrumental devise in turn, with arbitrary choice by me.
First song is typically energy consumptive regarded so suppressive strategical song’s sung tone and lyrical content is after aged life period.
“Getting Older” is kind of sympathy to calmed days’ peace. Thus it’s very classical strategy at pops songs’ expression. That very long lyrics’ content is mainly home staying mutually remote and distanced situation and her daily recording life at home as private story tasty, additionally she takes the supposition of her futre’s very gotten older days as assosiative implication to any audience. “I’ve got more on my shoulders” that lyrical part is just so.

She awakes us as listeners her future’s aspect for strategically personal content’s ironical usage, that typed service could associate us driven to have her life’s totalized interpretation.
Then either at that part, she consciously applied old typed US entertainment professional circle as typically representative with Marilyn Monroe or so(Her invited Party afterward she released this album made her play that famous actress as the symbol of the US).

Consequently this song’s inclination is just her hunch toward her gotten older days, and that intended lyrics could evidence that she is also kind of spiritually adult children. Because she took even her premonition anybody is prone to get in mind for successful person as celebrity or VIP, really already she’s gotten to be so, but that ironically applied lyrical strategical option could be possible because she was very young, yet so older.

The first half has the strategically implicative adoption of lyrical content’s strategy.

At next chance to analyze, I’d specifically take “my future” and “Oxytocin”.
At that time from second song I’ll start. This series is precise reseach typed intended.

(to be continued)

Oct. 20th. 2021

Billie Eilish - Getting Older (Official Lyric Video)

Billie Eilish - bad guy

Memorandum; Anyway, in terms of strategy, her providing songs are never claiming to externally embodied solidarity, and that very controlled and calmed option of her associates us with US entertainment world's reality and her ironical response message to that circle.
And, this album's stance from the beginning, COVID staying home reality was taken as the presence at releasing, former debut album was not so conscious about that so necessarily.
Never applying dynamic expression means doing only energy consumptive songs' evasion, only moderately suppressive tone mainly adopted is serially second album's basic concept.
Very relaxed moderate songs are almost, and moreover than debut album, this album's strategy is based on only whispering voiced tone, and that method could on the contrary be so spiritually aggressive message attending songs with "Oxytocin" could be featured so consciously. Though, just her and Finneas's smartly done strategy depends on that releasing timing and songs' feature's the best option. Nevertheless, "Oxytocin"'s aggressive grade realized at her sound is so controllable, and there must be her so greatly technical wisdom at being an artist.
In terms of that evasion to dynamism, please refer next my this blog's article.
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These are my already upped Billie Eillsh concern article with essay content.
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